| artist | title | year | format | record # | country | condition | price |
| 1000 Ohm | A.G.N.E.S. | 1995 | M | Romantic Records 2105024 | Belgium | NM/NM | 15 € |
| Minimal Synth Classic! |
| 1000 Ohm | Love in motion | 1984 | M | Infinity 12508 | Belgium | NM/EX | sold |
| "Can you tell me, Love is just a game, Can you feel it, It's driving me insane..." |
| 1000 Ohm | The Claim | 1984 | M | Plaza 70.001 | Belgium | EX/VG++ | sold |
| Great Euro-Disco, one of the best electronic dance projects of the 80's! |
| Les Troubadours | Same | 1960 | LP | AZ LPS17 | France | VG++/VG++ | sold |
| Legendary French folk |
| TC Matic | Choco | 1983 | LP | Emi 1A0641191671 | Belgium | EX/EX | 6 € |
| Arguably the best Belgian band ever |
| Technotronic | Pump up the jam | 1989 | M | ARS 3740 | Belgium | EX/EX | 6 € |
| Technotronic was a project of Belgian producer Jo Bogaert at the beginning of the nineties, comparable in fame & status to the acts such as C+C Music Factory, Snap, S'Express and Soul 2 Soul. |
| Terje Rypdal | Terje Rypdal | 1971 | LP | ECM 1016 | Germany | VG++/VG++ | 35 € |
| Ultra rare Druggy, Prog, Jazz, Fusion!! |
| The Turbo-Jets | So Sassy / Far East Cha Cha Cha | | S | Federal F695 | Belgium | VG/Generic | 50 € |
| lots of small hairlines but soundquality close to VG+ |
| Toy | All American | 1984 | M | Channel Records 12-10 | Belgium | EX/EX | 9 € |
| To this day, Toy remains one of the true classics of Belgian music in the eighties, and probably the closest the belpop-generation came to synth-pop from an international level. |
| Toy | The Split | 1981 | LP | EMI 1A062-64381 | Holland | NM/EX | 5 € |
| Belgian group playing 'civilized rock music', with a career spanning the seventies to the nineties |
| Traffic | Last Exit | | LP | United Artists 6702 | USA | M/M | 16 € |
| Since Traffic [+] originally planned its self-titled second album as a double LP, the group had extra material left over, some of which saw release before the end of 1968 (there was a new, one-off single released in December, "Medicated Goo"/"Shanghai Noodle Factory"). In January 1969, Steve Winwood [+] announced the group's breakup. That left Island Records, the band's label, in the lurch, since Traffic [+] had built up a considerable following. As far as Island was concerned, it was no time to stop, and the label quickly set about assembling a new album. Excellent addition to any prog music collection |
| Trio Johan Koopmans | EP: Last Tuesday - Gard Rag - Why didn't you stay | | EP | hertz 001 | Belgium | NM/NM | 40 € |
| VERY RARE JAZZ COLLECTOR BY THE BELGIAN TRIO JOHAN KOOPMANS.
Recorded in Gard Sivik by Studio Hertz.
Piano: Johan Koopmans
Bas: Eddy Johnson
Drums: Paul Bourdiaudhy |
| Trol | Trol | 1982 | LP | Parsifal 4001061 | Belgium | VG+/VG+ | 8 € |
| Tuxedomoon | Desire | 1981 | LP | PRE X 4 | UK | NM/VG++ | 22 € |
| Tuxedomoon, formed by multi-istrumentists Steve Brown, Blaine Reininger and Peter "Principle" Dachert, were the most erudite of the group. They were also natural descendants of progressive-rock, as demonstrated on Half Mute (1980), that scored pieces for keyboards, saxophone and violin besides the rock trio. The languid, seductive and stately demeanor of those avantgarde chamber lieder absorbed the spirit of both decadentism and surrealism. Their eclectic inspiration turned Suite En Sous-sol (1982) into a stylistic tour de force, running the gamut from chamber music (for unusual combinations of instruments) to disco-pop to world-music to raga-rock to psychedelic-rock to renaissance music etc. Later, on works such as Holy Wars (1985), settled on a form of neo-classical fusion/dance music that harked back to Canterbury's surreal, depressed and elegant jazz-rock. |
| Twelfth Night | Live and let live | 1983 | LP | MFN 18 | UK | M/NM | 18 € |
| Live and Let Live is a marathon live album that was released by Twelfth Night in the early 80s, a very energetic performance replete with a raw, punkish feel and a dramatic vocal performance from the late Geoff Mann. Musically, the band falls in line with the typical sound of the day, an aggressive, streamlined take on Genesis-y prog, and dependent on the on-stage antics (narration, costumes) of their frontman. Judging from this album, Twelfth Night is certainly much more hard-edged and guitar oriented than Marillion, though probably not as complex as IQ. Generally, songs are oriented around electric guitar parts, shifting from clean melodic passages to more metallic, up-tempo affairs with significant digital synthesizer flourishes topped Geoff Mann's eccentric and emotional vocal delivery. If you're familiar with their peers, you should have a pretty good idea already of whether or not this will appeal to you. Recorded live at the Marquee 4th & 5th november 1983. |
